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Revolutionary Biographies in the 19th and 20th Centuries

Imperial - Inter/national - Decolonial, Schriften aus der Max Weber Stiftung 3
ISBN/EAN: 9783847112488
Umbreit-Nr.: 9830434

Sprache: Englisch
Umfang: 311 S.
Format in cm:
Einband: gebundenes Buch

Erschienen am 11.07.2022
Auflage: 1/2022
€ 50,00
(inklusive MwSt.)
Lieferbar innerhalb 1 - 2 Wochen
  • Zusatztext
    • The volume contains selected contributions to the conference "Revolutionary Biographies in the 19th and 20th Century. Imperial - Inter/national - Decolonial", organised by the GHI Moscow in 2017. The contributors look at the crisis-ridden processes of modernity through the prism of individual biographies, which manifest themselves in national and social, anti-imperial and de-colonial, global and regional movements. The contributions cover the Russian, Habsburg and Ottoman Empires, Germany, the USA, France, the Soviet Union, Iran, Poland, Turkey and Africa. They focus on transnational and trans-imperial life paths, networks and the imprints of the actors as well as forms of (auto)biographical self-constitution and the political use of biographical narratives.Editing: Maria Tschassowskaja

  • Kurztext
    • A new view on already-known and recently-discovered revolutionary biographies

  • Autorenportrait
    • Dr Sandra Dahlke is director of the German Historical Institute in Moscow, Russia. Her research focuses on the History of the Russian Empire and the Soviet Union in the 19th-20th centuries. She is particularily interested in auto-/biographical writing and its connection to ideology/religion.
  • Schlagzeile
    • The contributors look at the crisis-ridden processes of modernity through the prism of individual biographies, which manifest themselves in national and social, anti-imperial and de-colonial, global and regional movements. The contributions cover the Russian, Habsburg and Ottoman Empires, Germany, the USA, France, the Soviet Union, Iran, Poland, Turkey and Africa. They focus on transnational and trans-imperial life paths, networks and the imprints of the actors as well as forms of (auto)biographical self-constitution and the political use of biographical narratives.
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