Petersen Buchimport: Bibliografie

Zusatztext
- Twenty years following the introduction of the euro as single European currency, it remains unclear whether Article 128 of the TFEU enshrines an autonomous concept of legal tender with regard to the euro or whether the provision merely refers to pre-existing concepts of legal tender in the national laws of member states. This work collects all contributions to the 2018 conference "The Euro as Legal Tender" held in Frankfurt-am-Main.
Autorenportrait
- Robert Freitag, Erlangen-Nürnberg; Sebastian Omlor, Marburg. 807280143690LangtextAt the heart of each film is a technically and visually sophisticated concert recording. All footage was shot in the Philharmonic Hall in Berlin. A new view of the orchestra is achieved through extreme close-up shots of the musicians, remote-controlled cameras on the platform, crane and dolly shots and unconventional montage sequences. In interview sequences Kent Nagano explains what he finds particularly important about each specific work and its interpretation. The maestro also provides the viewer with interesting supplementary information on the genesis and context of the work. Another integral part of each programme is the footage of rehearsals. This shows that the musicians are ordinary people who are dedicated to their vocation. In interviews the players talk about their work, their music and their orchestra. Finally, the animated sequences take the viewer on a fascinating journey into the world of each composer. The scenes portray events and encounters in their lives that had an important bearing on them personally and on their works. Another special feature is the fact that all the dialogues are based on original quotations from the composers and their contemporaries. 807280143096LangtextAt the heart of each film is a technically and visually sophisticated concert recording. All footage was shot in the Philharmonic Hall in Berlin. A new view of the orchestra is achieved through extreme close-up shots of the musicians, remote-controlled cameras on the platform, crane and dolly shots and unconventional montage sequences. In interview sequences Kent Nagano explains what he finds particularly important about each specific work and its interpretation. The maestro also provides the viewer with interesting supplementary information on the genesis and context of the work. Another integral part of each programme is the footage of rehearsals. This shows that the musicians are ordinary people who are dedicated to their vocation. In interviews the players talk about their work, their music and their orchestra. Finally, the animated sequences take the viewer on a fascinating journey into the world of each composer. The scenes portray events and encounters in their lives that had an important bearing on them personally and on their works. Another special feature is the fact that all the dialogues are based on original quotations from the composers and their contemporaries. 807280212990LangtextHailed by the press as "the definitive video production" of Tchaikovsky's music, this exceptional concert series, recorded live from the Alte Oper Frankfurt, features the leading Russian conductor Vladimir Fedoseyev and the Moscow Radio Symphony Orchestra. Fedoseyev's perceptive reading of the works of his fellow countryman, the masterly playing of the orchestra and guest soloists combine to produce performances which are revelatory in their execution and understanding of Tchaikovsky's music and the Russian heritage. They are joined by international guest soloists who include the brilliant Russian violinist Viktor Tretyakov, Brazilian cellist and Tchaikovsky Competition Gold Medallist Antonio Meneses, acclaimed Russian pianist Mikhail Pletnev, soprano Lydia Shernikh and baritone Alexander Nenadovsky. Volume V Symphony No. 5 in E minor Op. 64 Overture in F major Piano concerto No. 2 in G major Op. 44 807280141993LangtextThe surroundings for this recording couldn't be any better: the majestic background of the Bavarian Alps, the tiny pilgrimage church called St. Servatius and the highly skilled Swiss cellist with Taiwanese roots, Wen-Sinn Yang. This is the centre stage for Bach's gorgeous Six Suites for Solo Violoncello (BWV 1007-1012) composed in 1720. Written during Bach's time in Köthen, the Suites are one of the most important series for this instrument and a big challenge for every cellist. Heaven and earth as well as the well-balanced combination of sacral and secular can be found in Bach's music. WenSinn Yang's play can be characterized as technically at the highest level with a lovely, full sound and impeccable intonation. He penetrates completely the philosophical dimensions of the music he plays. Therefore it is possible for him to interpret the Suites in his very unique and accomplished way. 807280071597LangtextHow can you combine the Liebeslieder-Walzer (Love Songs) of Johannes Brahms with Pétrouchka, Strawinsky's ballet music? Quite simple: you focus on the inherently representational character of these pieces and create a synesthetic conception, as producers Johannes Lederer and Gyula Rácz do on this DVD. The music of Pétrouchka is illustrated, not as it usually is by ballet dancers, but by the musicians and the music itself. The movements of the performers, their piano- and drum-playing hands, the operating instruments, the hammers striking the strings, the pedals and the sledges are one part of the visualiziation. In addition, there are colours and animations showing the precise musical development of the composition, generated by a special computer program. While Pétrouchka is visualized with technical elements, the realization of Brahms' Liebeslieder-Walzer centers on nature and feeling. The lyrics and the emotion of the music are presented with paintings, impressions of nature and human portraits.

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The Euro as Legal Tender