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Zusatztext
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How has the process of globalization shaped artistic practices on the one hand, and art history and theory on the other? The contributions in this volume approach this question from a range of perspectives, taking into account the role of travel, for example, or practitioners increasing knowledge of other cultures, arts increasing awareness of itself as existing on a global level, literary translation, the advance of technology, and the ever-changing grand narratives of art history. As well as reflections on European avant-gardes and neo-avant-gardes, the collection features discussions of Japan, Latin America, Africa, Asia and the Pacific. As a whole, the volume engages with broader current discourses about cultural globalization, and features input from leading scholars around the world as well as some important novel interventions by early-career researchers. The authors not only make a major contribution to the evolution of avant-garde studies, but also offer valuable, original points of view to art history and to the cultural theory of globalization more broadly.
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Autorenportrait
- Professor David Ayers, University of Kent, UK; Professor Margarida Brito Alves, Universidade Nova de Lisboa, Portugal; Professor Joana Cunha Leal, Universidade Nova de Lisboa, Portugal; Professor Benedikt Hjartarson, University of Iceland, Iceland.
Detailansicht
Globalizing the Avant-garde
Dt/engl/frz, European Avant-Garde and Modernism Studies 8
ISBN/EAN: 9783111317533
Umbreit-Nr.: 724804
Sprache:
Deutsch
Umfang: 600 S., 50 s/w Illustr., 50 farbige Illustr., 50 b
Format in cm:
Einband:
gebundenes Buch
Erscheint am 14.07.2024
Auflage: 1/2024