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Over a brief, twelve-year career, the Iranian director and playwright Reza Abdoh broke all of the conventions of American theater, pushing actors and audiences past their limits to create hallucinatory, at times nightmarish, dreamscapes shot through with humor, song, and an unlikely spirituality. His productions addressed the bitter political realities of his timethe systemic devaluation of Black life, governmental indifference to the AIDS crisis, sexual repression, genocide in Europe and war in the Middle Eastwith harrowing eloquence. Just before his death he ordered that his plays should never be performed again. Profusely illustrated, the catalogue contains new essays on the influence and reception of Abdohs works in theater, film, and video, published and unpublished interviews with the director, and conversations with his friends and colleagues, as well as scripts of his plays and contemporary reviews. The Iranian director REZA ABDOH (1963-1995) was known for his wildly ambitious, experimental, and often confrontational, theatrical productions. When he died of AIDS at the age of just thirty-two, he was already regarded as a crucial figure on the American avant-garde scene.

First major publication about the Iranian-born theatrical visionary A dazzling cult figure on the American avant garde, with a compelling story, who died far too young Performance, AIDS, and activism in Los Angeles and New York in the 1980s and 1990s